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My Studio

Welcome to my studio catalogue. I have created an easy to access list of my favourite, most used items in my studio. The links to where you can buy them are part of each image, so simply click on the item you want more information on, and you will be directed to where I bought it from.

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I have separated my gear into categories. Simply click on the category, or scroll down. If you would like me to add anything to this catalogue that you have seen in my social media posts, please let me know.

Studio Equipment

These are my larger studio items that are an integral part of my studio organisation and functionality.

Camera Gear

Studio Lighting

Oil Paints 

Why I use Miameri Puro Oil paints. Traditionally, oil paint is very thick, and I found myself constantly adding medium to make the paint more workable. Maimeri Puro are a pure pigment paint, with highest standard of lightfast quality, and are not extremely thick to work with. This means I use less medium - often non at all - and am able to paint without much fuss. A great paint to use. I highly recommend it. Here is a collection of my most commonly used colours. To find more colours please click on the swatches (individual colour links arnt working fo some reason sorry), but for more information on the brand, please click on the enlarged paint tube.

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 Acrylic paints 

Why I use Golden Acrylic paints. Acrylic has a steryotype attached to it that makes it feel like it is less loaded than oil paints, therefore less vibrant and lightfast. I have found this to be untrue, esspecially with acrylic by Golden. I am in love with the brand and the amount of support that they offer artists. The quality and pigment load in the range is incredible. Open acrylic by Golden has a slighly lower pigment load due to the amount of binders they need to make it workable for longer. Here is a selection of my favourite colours to use. For more colours, please click on the tube.

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Painting Essentials

Palette

Why I use this Palette Can I just say, this palette is awesome. I used the Masterson Stawet Palette for years and suffered its quirks because I couldn't find anything else. Then these guys came along and blew Masterson out the water. The wet palettes save so much acrylic paint that I think I hardly ever have to throw any out during a painting. There are some techniques to using it best, which I have saved in my story highlights on Instagram.

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Brushes 

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Filberts, Filbert combs, Round, Liners, Bright, Dagger and Flat brushes are my most commonly used brushes. Above are my most loved brands, and below are the brushes themselves.

This is my favourite for painting fur and fine details. It is a stiff synthetic, and pretty tough.

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The Seneca Filberts are not as stiff as the Nerf 95 range, so don't bite into the wet paint on the painting as much. However, they are tough and easy to use to create crisp as well as blended marks.

I love using bright brushes as an alternative to the round size 0, especially when painting horse fur. Flat crisp lines as well as broad marks are easy with a bright.

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It's a filbert with more gaps in the bristles. I love using these for feathers and braid mark making with clumps of fur.

The Callia range is a little softer, lovely to use for blending. I used these a lot when I painted my large flamingo painting.

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The paddle brush by Princeton is great for painting huge spaces without writs pain. Not having the long handle to work around is the next best thing to tea and chocolate on a cold day.

The Mont Marte studio tidy is a great little brush holder that keeps all my brushes together. 

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Canvas & Panels

Reference Material

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